A Turtle He Goes A’ Arting
Heigh-ho,
crimestoppers! Tis I, Tom Turtle, once
again emerging greened and refreshed from the rhododendron bush to take another
walkabout on the ole Gateway keyboard (complete with cow pattern and optional
udders). E. E. Cummings—sounds like a
pornstar now, doesn’t he?—his little cricket would hop upon them keys, but me,
I can only lurch and lean and occasionally peck. And you won’t catch me quoting numbers: they are too far north to
consider the trek. By the time I walked
across my cellphone number the editor would have gone to print. But blast all that bebothering, I am not
here to bore your pants off with history.
I am here to astound and regale you with tales of art. No, not Garfunkel—but nearly as furry. A tale of my trip to the art galleries of
Chelsea. Now the first place I crawled my little
self into was run by this guy that looked like a much older version of Danny
from the Partridge Family—you remember, the little red-haired Buddha-bellied
urchin who was always trying to steal Mr. Kinkaid’s toupee and sell it back to
him for lunch money or something. Well,
this gallery guy had the same Irish, Gaelic, you know, son-of-Ossian, bardic,
impish, Dylan Thomas, fleshy, whisky-soaked style. . .without any of the real
interest that implies. Wait. Actually, he was nothing like Ossian or Dylan Thomas, I just got carried away in
the literary moment there. He didn’t
even have red hair, come to think of it.
But he was a fat chubba-verra. I don’t even know why I am telling you
about him except, wait, yah, I had sniffed about the place for a while but
couldn’t find any art, so I asked this guy to please point me in the proper
direction, to give me a good head’s up.
Turns out I was soaking in it, like Madge in a finger bowl (or was it a
petri dish?) of Palmolive. Yes, the “exhibition” turned out to be Aroma
of art: Re-aligning Relativity in a Bifurcated Bilateral Post-colonial
Stink-a-thon. I asked him how
much that cost and how I would know when it was installed in my tasteful
penthouse and he answered that if I had to ask, etc. I offered him a set (of four) of very gently used odor-eaters in
an even trade, but he just gave me a Jabba stare and used his cell to order
another lizard sandwich from Dean&Deluca.
The
second place I went I was met at the cash register—I mean art—by this Jewish
lady, bout 45, very fit, with frizzy
platinum-ish/copper-ish/tungsten-carbide-ish hair. She was wearing spongepants. . .no, wait, I am thinking of sponge
Bob and he wears square pants, so that can’t be it. What it was is, she was wearing lycra pants
and a halter top thingy. Well they were
so tight I could see both the Gaza Strip and the Golan Heights. The way she was staring at me I could tell
she was just waiting for me to fire off some Scuds, but I was too clever for
that by half. Or, no, maybe
one-third. Would you believe
one-eighth? Anyway, I was at least .079
too clever for her and I headed for the door, my Scuds flapping limply behind
me. At the gallery across the street, I met a very bendy man with a
large amount of lips, or lippage. His
shoulders were narrow and his shoes were long and pointy and he moved across
the slick tiles like a sandpiper negotiating the tide. I kept expecting him to come back to me with
a fish in his mouth. He was
exceedingly loquacious—he had me pegged as a easy mark, I think, despite the
shell—and unloaded upon me a whole Thesaurus of big words, of the bifurcated bilateral
post-Momsy type, which I of course tuned out completely. I finally told him I was looking for some
upperclass artsmells this week, and he was visibly annoyed beyond comprehension
that he had been beat to that punch. The
next place was very spritzy-glitzy, with aluminum and glass everywhere. I think the salestaff were even made of
aluminum and glass. They squeaked
slightly when they nodded, and their eyes never fully closed on a slow blink,
you know, to keep the mechanism from freezing.
Two very attractive ones rolled up to me on tiny casters and asked if I
was ready to “add a little passion to my life.” My first reaction was to check the sign again outside by the
door, but then I answered, “No thanks.”
I thought to myself, “Gee, how dumb do they think I am?” Coming to these people for passion would be
like going to the police to help you track down your runaway pet donut. After many hours of
shuffling dejectedly from one airy, nearly empty gallery to the next, I finally
decided to quit and have a cup of hot chocolate and a cream-o-wheat at a nearby
pub. It was there that my mind cleared
and I came to understand the primary principle of the modern gallery: these people would lie if the truth sounded
better. If they won a free car wash
with every true sentence, they would still lie. If they won a weekend with a dozen naked wood nymphs, nubile and
slanky, ready to rub them in all ways for every true sigh, they would still
lie. If they won a personal handshake
from God, Zeus, Wotan and Arnold Schwartzenegger and a month in paradise
(including Jacuzzi, pillow mints, and coupons for the slot machines) for every
true word, they would still lie. They
have a compulsion for the beautiful fib, drawn to it like puppies to a road
apple, like a starlette to the cameras, like Rush Limbaugh to sausages and
OxyContin. A single true sentiment,
passing by on the sidewalk outside these galleries, would be like a virus, and
they must build firewalls and hire Norton and McAfee to protect them. They sweep the place every morning for
reality and spray chemicals in the corners to roust out any organic residue or
creature-emotion. How could I survive in such surroundings,
since I need mud between my toes and a good anthill to lick now and again? I think I will stick with landscapes and
portraits and my Terrible Terrapin comicbooks, which make me feel very cosy and
earthy. But don’t worry, I shall
return, caped and helmeted (with a roly poly gammon and spinach), for other
exciting installments. Until then, I
remain, In a pile Upon
a log Over
the water Third
from the bottom Secreting
my own hard shell Tom
Turtle Read more articles by Tom Turtle If this paper was useful to you in any way, please consider donating a dollar (or more) to the SAVE THE ARTISTS FOUNDATION. This will allow me to continue writing these "unpublishable" things. Don't be confused by paying Melisa Smith--that is just one of my many noms de plume. If you are a Paypal user, there is no fee; so it might be worth your while to become one. Otherwise they will rob us 33 cents for each transaction. |